A project Labex Arts H2H
 
en /fr
Deceptive Arts
Machines, Magic, Media

CALL FOR PAPER : INTERNATIONAL CONFERENCE "MACHINES, MAGIC, MEDIA", CERISY 2016

Cerisy International Conference : Machines. Magic. Media
Saturday, August 20 to Sunday, August 28, 2016 Cerisy-la-Salle (France)

Conveners : Frank Kessler, Jean-Marc Larrue and Giusy Pisano


Collaborators : Caroline Renouard and Stéphane Tralongo

 

Scientific Committee : Renée Bourassa ; Marguerite Chabrol ; Marie-France Chambat-Houillon ; Sandrine Dubouilh, Réjane Hamus-Vallée ; Erkki Huhtamo ; Frank Kessler ; Jean-Marc Larrue ; Jacques Malthête ; Geneviève Mathon ; Giusy Pisano ; Anne-Marie Quévrain ; Caroline Renouard ; Maxime Scheinfeigel ; Jean-Pierre Sirois-Trahan ; Antonio Somaini ; Stéphane Tralongo.

 

Theme :


Machines. Magic. Media examines the life cycle of the technologies that create illusions: magic moment (belief), magic mode (rhetoric), and naturalization (secularization of the magical). As far as its secrets are kept, its inner workings remain obscure, and it resists being co-opted and formalized by a medium, every technology that confounds the senses exists as a magic moment. Indeed, we fnd the secret, the metamorphosis, the double, participation, and mediation in both Machines and Magic, an idea in keeping with Arthur C. Clarke’s hypothesis that “Any suffciently advanced technology is indistinguishable from magic” (1984, p. 36). The very emergence of media can be read as an instance of magical thinking, a “patron-modèle” (Edgar Morin, 1956) – or “main pattern” – of primitive perception (Marcel Mauss, 1950). We will therefore examine the specifc coming-into-being of each medium, from its magic mode to secularization, with a view to the recurring principles elucidated by intermedial studies in recent years. Viewed as spectacular machinery, the histories of phantasmagoria, theatre, the magic lantern, the theatrophone, opera, photography, the phonograph, the radio, the microphone, cinema, and today’s digital forms intersect with the history of magic and the experimentation of its practitioners – early adopters of every invention capable of creating new magic through mechanization. From Robert-Houdin and Georges Méliès to Abdul Alafrez, Harry Houdini, David Copperfeld, Jim Steinmeyer, and Marco Tempest, magicians re-examined the process for producing illusions with every optical, accoustic, electric, and (more recently) digital innovation.

 

This intermedial conference is one part of a vast project: Les Arts trompeurs. Machines. Magie. Médias/Deceptive Arts: Machines, Magic, Media (Labex Arts-H2H/ENS Louis-Lumière/CRialt/CRILCQ). The conference is supported by the ANR program Investissements d’avenir (ANR-10 LABX-80-01).

 

Research Area 1 : The Magic Moment, media archaeology

 

This axis concerns the study of prototypes, experiments, scientifc and industrial innovations and spectacular technical devices.

 

Possible topics include:
- Psychic powers attributed to radio; radio as an occult medium.
- The phonograph, the théâtrophone and other devices for communication at a distance.
- Photography as a link between the world of the living and the spirit world.
- Illusions, appearances and disappearances in 18th and 19th centuries devices and spectacular shows: phantasmagoria, panoramas, dioramas, magic lantern, anamorphic, Peep shows, stereoscopy, magical paintings, magic theatre.
- Medical images.
- The illusion techniques of opera, dramatic theatre, fairy plays (féeries)
- “Théâtre Noir”.
- Levitation, catalepsy, ectoplasm, materialization and dematerialization.
- Effects produced by exceptional and peculiar devices and techniques.
- Cinema and telepathy.

 

Research Area 2 : The Magic Mode

 

This axis concerns phenomena of reuse and remediation, intermediality, and the circulation of devices and forms.

 

Possible topics include:
- The remediation of magic tricks: from one type of stage to another, from one medium to another.
- Effects produced by devices and technologies of illusion (theatre, cinema, radio, television, etc.).
- The reuse of effects and themes of magic shows in present-day performances.
- Archetypes and models of magical illusions.
- Technologies of immersion.
- The rediscovery of lost magical devices of the past in movies (e.g. The Prestige, Christopher Nolan ; Now You See Me, Louis Leterrier ; Interview with the Vampire, Neil Jordan ; The Draughtsman’s Contract, Peter Greenaway) ; television shows (Fringe, Buffy the Vampire Slayer,
American Horror Story, The Knick) ; mixed-media performances (Algo et Ritmo and Les Totologiques, Michel Jaffrennou) ; theater (L’Homme d’un soir, Denys Amiel and Charles Lafaurie ; Petit Péché, André Birabeau ; Leurs vedettes, Armand Salacrou ; Coeur, Robert Lepage), video games, contemporary art.
- Phenomena of absorption and enchantment of the viewer.
- Destabilization of the viewer‘s perception (double exposure, dissolves, substitution splices, disincarnated voices).
- 3D-effects.

 

Research Area 3 : The “Naturalization” of Magical Effects.

 

This research area studies the processes of naturalization, standardization, and habituation of special effect as well as the reactivation of magic mode.

 

Possible topics include:
- Levels of experience: demonstration, dematerialization, virtuality.
- Producing realism through the spectacular.
- Hyperrealism.
- The wilful creation of an illusion in everyday life (e.g. The Truman Show by Peter Weir or Il postino by Michael Radford).

 

For the day dedicated to Magic

 

Possible topics include:
- Anthropology of magic.
- Transmission of magic,
- Magic and science.
- Magic and technology.
- Theories of occultism and spiritualism (Gustave Le Bon Les Opinions et les croyances, 1911 ; Alfred Binet, etc.),
- Theories of magical thinking.
- Understanding magical fascination.
- Magic and intermediality.

 

Organization:

 


40 speakers (+ 15 PhD students and postdocs ) ; 2 sessions per day : 9:30 / 12:30. 2:30 / 6:10 p.m. Six lectures per day: 3 papers in the morning, 3 papers in the afternoon. Each contribution: 30 minutes and 20 minutes of discussion.

 

Morning
1) 9H30/10H20
2) 10H20/11H10
Break : 15 minutes
3) 11h25/12H15
Lunch

 


Afternoon
4) 14H30/15H20
5) 15H20/16H10
Break : 20 minutes
6) 16H25/17H15
Dinner


Saturday: from 5 : pm, welcoming participants, dinner and presentation of the history of Cerisy -La-Salle by Edith Heurgon.

 

Sunday August 21
Magic and Intermediality
Show: Magic Arts
Monday August 21
2a) Magic Moment Media
Tuesday August 23
3b) Magic Moment Media
Wednesday August 24
4a) Magic Mode Media
Thursday August 25
5b) Magic Mode Media
Movies
Friday August 25
6a) “Naturalization” of Magical Effects
Saturday 27
7b) “Naturalization” of Magical Effects
Show: music and magic arts
Sunday 28 (morning)
8c) “Naturalization” of Magical Effects

 

Departure from Cerisy-La-Salle: Sunday at 2 pm

 

There will be performances by artists in the evening.

Add new comment

A project Labex Arts H2H